Sunday, 23 October 2011

Continuing with Reflective Practices

Upon further reflection, I realise that I start Kolb’s learning cycle at various points of entry depending on what I am working on.  When I’m choreographing for myself and I start with a piece of music that I connect with and resonate with me and enter at Abstract Conceptualisation. This would be at the point of hearing the piece of music for the first time.  
I then realise that I engage in Robert Kottacamp Key Concept of reflection-in-action, this is specific to Middle Eastern Dance for me as generally Middle Eastern Dancers perform an improvisation at a performance and it is imperative that the dance piece is perfectly executed thus engaging in the ‘tacit knowledge’. 

 I have just realised that when I first started studying Middle Eastern Dance our teacher was unable to vocalise at times how to engage within the musicality of the music, or convey the feeling but we could visually see what she was trying to teach us.  I see now that ‘tacit knowledge’ is a very important component of our unconscious mind, I think particularly in improvisation.  I clearly understood this from Twyla Tharp extract explaining muscle memory. (Tharp and Reiter, 2006)..
I hear the words ‘muscle memory’ being mentioned more often at various classes I have attended recently such as 'Pilates' and 'Zumba'.  I am most interested in reading further Twyla Tharp’s ‘The Creative Habit’.  In particular how ‘she has to find ways to walk into a room and come up with the goods and make up a dance when she is hired to do so’ as this may inspire me in my work. 

I have been video recording myself whilst rehearsing, as this aides my learning and critical reflecting and view the performance as others would see it.

I am realising that I engage with multiple theory and use the tools of reflection and critical analysis in my profession.  I have a variety of dance teaching jobs so I shift learning cycles unconsciously to suite and adapt to the situation, event or person. 
Do I change and adapt to suit people’s needs or am I evolving and gaining knowledge and new experiences because I want to? I think I see myself as someone who continually gathers knowledge, learns and deliver and share this knowledge to new audiences.
I would be interested to hear how you see yourselves?

2 comments:

  1. Hello Corinda,

    this is a very interesting question: "Do I change and adapt to suit people´s needs or am I evolving and gaining knowledge and new experiences because I want to?" This is very difficult to answer. I think it is depending on job and private life. In our job, as dancer like you or as designer like me, we have to change and adapt to suit people´s needs. Our customers makes the decisions and so it is more important that they like what we make, than that we like what we do. But, off course it is important to see our own needs and to involve this in our work. I think it is a balancing act.

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  2. Thank you Katharina, I agree, it is a balacing act and I will need to adapt to suit my customer.

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